Did you have any inspirations while crafting Anand Sreebala?

When it comes to thrillers, be it of any kind, David Fincher is the first inspiration. But this being my first film, I was not firm on experimenting with the substance and its structure. My focus was to ensure that the given content was executed effectively and with the right emotions. Along with composer Ranjin Raj, I worked extensively on communicating emotions through sound. We knew our film demanded a local music flavour, but we also drew inspiration from various international scores. MR Rajakrishnan, who did the sound mix, also helped us with that. It took us around 3-4 months to crack the background score.

After wrapping up working on your maiden film, what do you think is the best part of the direction?

I think it’s scripting. Though Abhilash is the primary author, I believe a director should also be an author. Initially, he only had a rough draft, which was written a while back. He then got me along to develop the script with him and his associate. Abhilash basically headed the team, as we had constant discussions and reworking. I find the process of fine-tuning the original material exciting.

With his years of experience, both bitter and better, your father Vinayan has seen it all in the industry. How has he influenced you as a filmmaker?

I’ve always enjoyed our creative discussions. I also admire the efficiency with which he handles the sets without problems. He often tells me that this is a high-pressure job where you’re expected to make multiple important decisions in a single day. I also observed and learnt how to maintain composure even during the toughest times. He also taught me how to be grounded while interacting with others.

Could you name some of your favourites from your father’s works?

My favourites keep changing, but Sipayi Lahala (1995) and Kalyana Sougandhikam (1996) would always remain constants. I’m never bored of these films. I also love what he did with Athbhutha Dweepu (2005), which was a crazy idea. I think his best commercial entertainer to date is Karumadikkuttan (2001).

Its protagonist was a mentally challenged person, played by Kalabhavan Mani, who was not a superstar. But it was still a huge commercial hit. Though achan’s films have been successful before, that’s still my earliest memory of a thunderous theatre experience. It was like watching a Mohanlal or Mammootty’s film. It remains a core memory, maybe that’s why I don’t consider it as a dated film.

Your father recently confirmed Athbhutha Dweepu’s sequel. Are you also a part of it?

I’m involved in the discussions, but things are still in the early stages. Abhilash is developing its script based on achan’s story. We are yet to finalise the production as it demands a huge budget.